It's a gently feminist tale where stories carry the same power as magic and are, perhaps, one and the same. DiCamillo fills her narrative with humor and love, never getting in the way of her characters (or Answelica's boney head) as they work through difficult choices and display many forms of bravery. Somehow, DiCamillo manages to fit a medieval epic into just over 250 pages-and that includes many glorious black-and-white illustrations by Blackall that one can easily envision stitched upon a tapestry.
With its timeless themes, unforgettable cast, and magical medieval setting, Kate DiCamillo's lyrical tale, paired with resonant black-and-white illustrations by Caldecott Medalist Sophie Blackall, is a true collaboration between masters. But Beatryce knows that, should she lose her way, those who love her-a wild-eyed monk, a man who had once been king, a boy with a terrible sword, and a goat with a head as hard as stone-will never give up searching for her, and to know this is to know everything. And so it is that a girl with a head full of stories-powerful tales-within-the-tale of queens and kings, mermaids and wolves-ventures into a dark wood in search of the castle of one who wishes her dead.
As the monk nurses Beatryce to health, he uncovers her dangerous secret, one that imperils them all-for the king of the land seeks just such a girl, and Brother Edik, who penned the prophecy himself, knows why. Gentle Brother Edik finds the girl, Beatryce, curled in a stall, wracked with fever, coated in dirt and blood, and holding fast to the ear of Answelica the goat.
In a time of war, a mysterious child appears at the monastery of the Order of the Chronicles of Sorrowing. We shall all, in the end, find our way home. We shall all, in the end, be led to where we belong. A 2021 People Magazine Best Books of Fall Winner! From two-time Newbery Medalist Kate DiCamillo and two-time Caldecott Medalist Sophie Blackall comes a fantastical meditation on fate, love, and the power of words to spell the world.
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